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Vaikritika Rahasyam

The Vaikritika Rahasyam is the second of the three Rahasyas of the Shri Saptashati. It describes the forms of Mahakali, Mahalakshmi and Mahasaraswati and the method of worshipping them.

Atha Vaikritikam Rahasyam (рее рдЕрде рд╡реИрдХреГрддрд┐рдХрдВ рд░рд╣рд╕реНрдпрдореН рее)

Rishir Uvacha (рдЛрд╖рд┐рд░реБрд╡рд╛рдЪ)

Verse 1

реР рддреНрд░рд┐рдЧреБрдгрд╛ рддрд╛рдорд╕реА рджреЗрд╡реА рд╕рд╛рддреНрддреНрд╡рд┐рдХреА рдпрд╛ рддреНрд░рд┐рдзреЛрджрд┐рддрд╛ред
рд╕рд╛ рд╢рд░реНрд╡рд╛ рдЪрдгреНрдбрд┐рдХрд╛ рджреБрд░реНрдЧрд╛ рднрджреНрд░рд╛ рднрдЧрд╡рддреАрд░реНрдпрддреЗрее1рее

Om Triguna Tamasi Devi Sattviki Ya Tridhodita |
Sa Sharva Chandika Durga Bhadra Bhagavatir Yate || 1 ||

Meaning: The sage said: The Goddess has three gunas and appears in the forms of tamoguna, rajoguna and sattvaguna. She is known by names such as Sharva, Chandika, Durga, Bhadra and Bhagavati.

Verse 2

рдпреЛрдЧрдирд┐рджреНрд░рд╛ рд╣рд░реЗрд░реБрдХреНрддрд╛ рдорд╣рд╛рдХрд╛рд▓реА рддрдореЛрдЧреБрдгрд╛ред
рдордзреБрдХреИрдЯрднрдирд╛рд╢рд╛рд░реНрдердВ рдпрд╛рдВ рддреБрд╖реНрдЯрд╛рд╡рд╛рдореНрдмреБрдЬрд╛рд╕рдирдГрее2рее

Yoganidra Harerukta Mahakali Tamoguna |
Madhu-Kaitabha-Nashartham Yam Tushtavambujasanah || 2 ||

Meaning: The yoganidra of Lord Vishnu is called Mahakali, who is of tamoguna. She is the very Mahakali whom Brahma, seated on the lotus, praised for the slaying of Madhu and Kaitabha.

Verse 3

рджрд╢рд╡рдХреНрддреНрд░рд╛ рджрд╢рднреБрдЬрд╛ рджрд╢рдкрд╛рджрд╛рдЮреНрдЬрдирдкреНрд░рднрд╛ред
рд╡рд┐рд╢рд╛рд▓рдпрд╛ рд░рд╛рдЬрдорд╛рдирд╛ рддреНрд░рд┐рдВрд╢рд▓реНрд▓реЛрдЪрдирдорд╛рд▓рдпрд╛рее3рее

Dashavaktra Dashabhuja Dashapadanjana-Prabha |
Vishalaya Rajamana Trimshal-Lochana-Malaya || 3 ||

Meaning: Mahakali has ten faces, ten arms and ten feet. Her body is as dark as kohl, and she appears adorned with a garland of thirty eyes.

Verse 4

рд╕реНрдлреБрд░рджреНрджрд╢рдирджрдВрд╖реНрдЯреНрд░рд╛ рд╕рд╛ рднреАрдорд░реВрдкрд╛рдкрд┐ рднреВрдорд┐рдкред
рд░реВрдкрд╕реМрднрд╛рдЧреНрдпрдХрд╛рдиреНрддреАрдирд╛рдВ рд╕рд╛ рдкреНрд░рддрд┐рд╖реНрдард╛ рдорд╣рд╛рд╢реНрд░рд┐рдпрдГрее4рее

Sphurad-Dashana-Damshtra Sa Bhimarupapi Bhumipa |
Rupa-Saubhagya-Kantinam Sa Pratishtha Mahashriyah || 4 ||

Meaning: O King! Her form is fearsome, and her gleaming teeth and tusks can be seen. Yet she is the great power of beauty, good fortune and radiance.

Verse 5

рдЦрдбреНрдЧрдмрд╛рдгрдЧрджрд╛рд╢реВрд▓рдЪрдХреНрд░рд╢рдЩреНрдЦрднреБрд╢реБрдгреНрдбрд┐рднреГрддреНред
рдкрд░рд┐рдШрдВ рдХрд╛рд░реНрдореБрдХрдВ рд╢реАрд░реНрд╖рдВ рдирд┐рд╢реНрдЪреНрдпреЛрддрджреНрд░реБрдзрд┐рд░рдВ рджрдзреМрее5рее

Khadga-Bana-Gada-Shula-Chakra-Shankha-Bhushundi-Bhrit |
Parigham Karmukam Shirsham Nishchyotad-Rudhiram Dadhau || 5 ||

Meaning: She holds a sword, arrows, a mace, a trident, a discus, a conch, a bhushundi, a parigha, a bow and a severed head dripping with blood.

Verse 6

рдПрд╖рд╛ рд╕рд╛ рд╡реИрд╖реНрдгрд╡реА рдорд╛рдпрд╛ рдорд╣рд╛рдХрд╛рд▓реА рджреБрд░рддреНрдпрдпрд╛ред
рдЖрд░рд╛рдзрд┐рддрд╛ рд╡рд╢реАрдХреБрд░реНрдпрд╛рддреН рдкреВрдЬрд╛рдХрд░реНрддреБрд╢реНрдЪрд░рд╛рдЪрд░рдореНрее6рее

Esha Sa Vaishnavi Maya Mahakali Duratyaya |
Aradhita Vashikuryat Pujakartush Characharam || 6 ||

Meaning: She is Vaishnavi Maya and Mahakali, who is very hard to understand and to overcome. For the practitioner who worships her, the moving and unmoving world comes under her power.

Verse 7

рд╕рд░реНрд╡рджреЗрд╡рд╢рд░реАрд░реЗрднреНрдпреЛ рдпрд╛рд╜рд╜рд╡рд┐рд░реНрднреВрддрд╛рдорд┐рддрдкреНрд░рднрд╛ред
рддреНрд░рд┐рдЧреБрдгрд╛ рд╕рд╛ рдорд╣рд╛рд▓рдХреНрд╖реНрдореАрдГ рд╕рд╛рдХреНрд╖рд╛рдиреНрдорд╣рд┐рд╖рдорд░реНрджрд┐рдиреАрее7рее

Sarva-Deva-Sharirebhyo Ya''virbhutamita-Prabha |
Triguna Sa Mahalakshmih Sakshan Mahishamardini || 7 ||

Meaning: The Goddess of infinite light who appeared from the radiance that came forth from the bodies of all the gods is Mahalakshmi, endowed with the three gunas. She is the Goddess who herself slew Mahishasura.

Verse 8

рд╢реНрд╡реЗрддрд╛рдирдирд╛ рдиреАрд▓рднреБрдЬрд╛ рд╕реБрд╢реНрд╡реЗрддрд╕реНрддрдирдордгреНрдбрд▓рд╛ред
рд░рдХреНрддрдордзреНрдпрд╛ рд░рдХреНрддрдкрд╛рджрд╛ рдиреАрд▓рдЬрдЩреНрдШреЛрд░реБрд░реБрдиреНрдорджрд╛рее8рее

Shvetanana Nilabhuja Sushveta-Stanamandala |
Raktamadhya Raktapada Nila-Janghorur Unmada || 8 ||

Meaning: MahalakshmiтАЩs face is white, her arms are blue and her chest is bright. Her waist and feet are red, and her thighs are blue.

Verse 9

рд╕реБрдЪрд┐рддреНрд░рдЬрдШрдирд╛ рдЪрд┐рддреНрд░рдорд╛рд▓реНрдпрд╛рдореНрдмрд░рд╡рд┐рднреВрд╖рдгрд╛ред
рдЪрд┐рддреНрд░рд╛рдиреБрд▓реЗрдкрдирд╛ рдХрд╛рдиреНрддрд┐рд░реВрдкрд╕реМрднрд╛рдЧреНрдпрд╢рд╛рд▓рд┐рдиреАрее9рее

Suchitra-Jaghana Chitra-Malyambara-Vibhushana |
Chitranulepana Kanti-Rupa-Saubhagya-Shalini || 9 ||

Meaning: Her body is beautiful and captivating. She wears beautiful garlands, garments and ornaments and is adorned with various fragrances. She is endowed with radiance, beauty and good fortune.

Verse 10

рдЕрд╖реНрдЯрд╛рджрд╢рднреБрдЬрд╛ рдкреВрдЬреНрдпрд╛ рд╕рд╛ рд╕рд╣рд╕реНрд░рднреБрдЬрд╛ рд╕рддреАред
рдЖрдпреБрдзрд╛рдиреНрдпрддреНрд░ рд╡рдХреНрд╖реНрдпрдиреНрддреЗ рджрдХреНрд╖рд┐рдгрд╛рдзрдГрдХрд░рдХреНрд░рдорд╛рддреНрее10рее

Ashtadasha-Bhuja Pujya Sa Sahasrabhuja Sati |
Ayudhanyatra Vakshyante Dakshinadhah-Kara-Kramat || 10 ||

Meaning: Mahalakshmi is worshipped in her eighteen-armed form, though a thousand-armed form of hers is also recognised. Now the order of the weapons held in her arms is described.

Verse 11

рдЕрдХреНрд╖рдорд╛рд▓рд╛ рдЪ рдХрдорд▓рдВ рдмрд╛рдгреЛрд╜рд╕рд┐рдГ рдХреБрд▓рд┐рд╢рдВ рдЧрджрд╛ред
рдЪрдХреНрд░рдВ рддреНрд░рд┐рд╢реВрд▓рдВ рдкрд░рд╢реБрдГ рд╢рдЩреНрдЦреЛ рдШрдгреНрдЯрд╛ рдЪ рдкрд╛рд╢рдХрдГрее11рее

Akshamala Cha Kamalam Bano'sih Kulisham Gada |
Chakram Trishulam Parashuh Shankho Ghanta Cha Pashakah || 11 ||

Meaning: In her hands are a rosary (akshamala), a lotus, an arrow, a sword, a thunderbolt, a mace, a discus, a trident, an axe, a conch, a bell and a noose.

Verse 12

рд╢рдХреНрддрд┐рд░реНрджрдгреНрдбрд╢реНрдЪрд░реНрдо рдЪрд╛рдкрдВ рдкрд╛рдирдкрд╛рддреНрд░рдВ рдХрдордгреНрдбрд▓реБрдГред
рдЕрд▓рдЩреНрдХреГрддрднреБрдЬрд╛рдореЗрднрд┐рд░рд╛рдпреБрдзреИрдГ рдХрдорд▓рд╛рд╕рдирд╛рдореНрее12рее

Shaktir Dandash Charma Chapam Panapatram Kamandaluh |
Alankrita-Bhujam Ebhir Ayudhaih Kamalasanam || 12 ||

Meaning: In her hands are also a spear (shakti), a staff, a shield, a bow, a drinking vessel and a kamandalu. Equipped with all these weapons, Mahalakshmi is seated on a lotus.

Verse 13

рд╕рд░реНрд╡рджреЗрд╡рдордпреАрдореАрд╢рд╛рдВ рдорд╣рд╛рд▓рдХреНрд╖реНрдореАрдорд┐рдорд╛рдВ рдиреГрдкред
рдкреВрдЬрдпреЗрддреНрд╕рд░реНрд╡рд▓реЛрдХрд╛рдирд╛рдВ рд╕ рджреЗрд╡рд╛рдирд╛рдВ рдкреНрд░рднреБрд░реНрднрд╡реЗрддреНрее13рее

Sarvadevamayim Isham Mahalakshmim Imam Nripa |
Pujayet Sarvalokanam Sa Devanam Prabhur Bhavet || 13 ||

Meaning: O King! Mahalakshmi is the embodiment of the powers of all the gods. The person who worships her according to the proper method receives the grace of all the worlds and all the gods.

Verse 14

рдЧреМрд░реАрджреЗрд╣рд╛рддреНрд╕рдореБрджреНрднреВрддрд╛ рдпрд╛ рд╕рддреНрддреНрд╡реИрдХрдЧреБрдгрд╛рд╢реНрд░рдпрд╛ред
рд╕рд╛рдХреНрд╖рд╛рддреНрд╕рд░рд╕реНрд╡рддреА рдкреНрд░реЛрдХреНрддрд╛ рд╢реБрдореНрднрд╛рд╕реБрд░рдирд┐рдмрд░реНрд╣рд┐рдгреАрее14рее

Gauri-Dehat Samudbhuta Ya Sattvaika-Gunashraya |
Sakshat Sarasvati Prokta Shumbhasura-Nibarhini || 14 ||

Meaning: The Goddess who emerged from the body of Gauri and is based on sattvaguna alone is called Mahasaraswati herself. She is the destroyer of the asura Shumbha.

Verse 15

рджрдзреМ рдЪрд╛рд╖реНрдЯрднреБрдЬрд╛ рдмрд╛рдгрдореБрд╕рд▓реЗ рд╢реВрд▓рдЪрдХреНрд░рднреГрддреНред
рд╢рдЩреНрдЦрдВ рдШрдгреНрдЯрд╛рдВ рд▓рд╛рдЩреНрдЧрд▓рдВ рдЪ рдХрд╛рд░реНрдореБрдХрдВ рд╡рд╕реБрдзрд╛рдзрд┐рдкрее15рее

Dadhau Chashtabhuja Banamusale Shula-Chakra-Bhrit |
Shankham Ghantam Langalam Cha Karmukam Vasudhadhipa || 15 ||

Meaning: O King! Mahasaraswati has eight arms. She holds an arrow, a pestle, a trident, a discus, a conch, a bell, a plough and a bow.

Verse 16

рдПрд╖рд╛ рд╕рдореНрдкреВрдЬрд┐рддрд╛ рднрдХреНрддреНрдпрд╛ рд╕рд░реНрд╡рдЬреНрдЮрддреНрд╡рдВ рдкреНрд░рдпрдЪреНрдЫрддрд┐ред
рдирд┐рд╢реБрдореНрднрдордерд┐рдиреА рджреЗрд╡реА рд╢реБрдореНрднрд╛рд╕реБрд░рдирд┐рдмрд░реНрд╣рд┐рдгреАрее16рее

Esha Sampujita Bhaktya Sarvajnatvam Prayachchhati |
Nishumbha-Mathini Devi Shumbhasura-Nibarhini || 16 ||

Meaning: When worshipped with devotion, the Goddess bestows knowledge. It is this Goddess who destroyed Nishumbha and Shumbha.

Verse 17

рдЗрддреНрдпреБрдХреНрддрд╛рдирд┐ рд╕реНрд╡рд░реВрдкрд╛рдгрд┐ рдореВрд░реНрддреАрдирд╛рдВ рддрд╡ рдкрд╛рд░реНрдерд┐рд╡ред
рдЙрдкрд╛рд╕рдирдВ рдЬрдЧрдиреНрдорд╛рддреБрдГ рдкреГрдердЧрд╛рд╕рд╛рдВ рдирд┐рд╢рд╛рдордпрее17рее

Ityuktani Svarupani Murtinam Tava Parthiva |
Upasanam Jaganmatuh Prithagasam Nishamaya || 17 ||

Meaning: O King! I have told you about these principal forms of the Goddess. Now hear the method of worshipping these different images (murtis) of the Mother of the world.

Verse 18

рдорд╣рд╛рд▓рдХреНрд╖реНрдореАрд░реНрдпрджрд╛ рдкреВрдЬреНрдпрд╛ рдорд╣рд╛рдХрд╛рд▓реА рд╕рд░рд╕реНрд╡рддреАред
рджрдХреНрд╖рд┐рдгреЛрддреНрддрд░рдпреЛрдГ рдкреВрдЬреНрдпреЗ рдкреГрд╖реНрдарддреЛ рдорд┐рдереБрдирддреНрд░рдпрдореНрее18рее

Mahalakshmir Yada Pujya Mahakali Sarasvati |
Dakshinottarayoh Pujye Prishthato Mithuna-Trayam || 18 ||

Meaning: When Mahalakshmi is worshipped, Mahakali and Mahasaraswati should be worshipped to her south and north. Behind them, three divine couples are worshipped.

Verse 19

рд╡рд┐рд░рдЮреНрдЪрд┐рдГ рд╕реНрд╡рд░рдпрд╛ рдордзреНрдпреЗ рд░реБрджреНрд░реЛ рдЧреМрд░реНрдпрд╛ рдЪ рджрдХреНрд╖рд┐рдгреЗред
рд╡рд╛рдореЗ рд▓рдХреНрд╖реНрдореНрдпрд╛ рд╣реГрд╖реАрдХреЗрд╢рдГ рдкреБрд░рддреЛ рджреЗрд╡рддрд╛рддреНрд░рдпрдореНрее19рее

Viranchih Svaraya Madhye Rudro Gaurya Cha Dakshine |
Vame Lakshmya Hrishikeshah Purato Devatatrayam || 19 ||

Meaning: Saraswati with Viranchi, that is, Brahma, should be worshipped in the middle; Gauri with Rudra on the right (south); and Lakshmi with Hrishikesha, that is, Vishnu, on the left. The three gods are worshipped in front.

Verse 20

рдЕрд╖реНрдЯрд╛рджрд╢рднреБрдЬрд╛ рдордзреНрдпреЗ рд╡рд╛рдореЗ рдЪрд╛рд╕реНрдпрд╛ рджрд╢рд╛рдирдирд╛ред
рджрдХреНрд╖рд┐рдгреЗрд╜рд╖реНрдЯрднреБрдЬрд╛ рд▓рдХреНрд╖реНрдореАрд░реНрдорд╣рддреАрддрд┐ рд╕рдорд░реНрдЪрдпреЗрддреНрее20рее

Ashtadasha-Bhuja Madhye Vame Chasya Dashanana |
Dakshine'shtabhuja Lakshmir Mahatiti Samarchayet || 20 ||

Meaning: The eighteen-armed Mahalakshmi should be worshipped in the middle, the ten-faced Mahakali to her left and the eight-armed Mahasaraswati to her right.

Verse 21

рдЕрд╖реНрдЯрд╛рджрд╢рднреБрдЬрд╛ рдЪреИрд╖рд╛ рдпрджрд╛ рдкреВрдЬреНрдпрд╛ рдирд░рд╛рдзрд┐рдкред
рджрд╢рд╛рдирдирд╛ рдЪрд╛рд╖реНрдЯрднреБрдЬрд╛ рджрдХреНрд╖рд┐рдгреЛрддреНрддрд░рдпреЛрд╕реНрддрджрд╛рее21рее

Ashtadasha-Bhuja Chaisha Yada Pujya Naradhipa |
Dashanana Chashtabhuja Dakshinottarayos Tada || 21 ||

Meaning: O King! When the eighteen-armed Goddess is worshipped, the eight-armed and the ten-faced goddesses should also be worshipped, in order, to her south and north.

Verse 22

рдХрд╛рд▓рдореГрддреНрдпреВ рдЪ рд╕рдореНрдкреВрдЬреНрдпреМ рд╕рд░реНрд╡рд╛рд░рд┐рд╖реНрдЯрдкреНрд░рд╢рд╛рдиреНрддрдпреЗред
рдпрджрд╛ рдЪрд╛рд╖реНрдЯрднреБрдЬрд╛ рдкреВрдЬреНрдпрд╛ рд╢реБрдореНрднрд╛рд╕реБрд░рдирд┐рдмрд░реНрд╣рд┐рдгреАрее22рее

Kalamrityu Cha Sampujyau Sarvarishta-Prashantaye |
Yada Chashtabhuja Pujya Shumbhasura-Nibarhini || 22 ||

Meaning: To calm every kind of misfortune and danger, Kala (Time) and Mrityu (Death) should also be worshipped. When the eight-armed Goddess who destroyed the asura Shumbha is worshipped тАФ

Verse 23

рдирд╡рд╛рд╕реНрдпрд╛рдГ рд╢рдХреНрддрдпрдГ рдкреВрдЬреНрдпрд╛рд╕реНрддрджрд╛ рд░реБрджреНрд░рд╡рд┐рдирд╛рдпрдХреМред
рдирдореЛ рджреЗрд╡реНрдпрд╛ рдЗрддрд┐ рд╕реНрддреЛрддреНрд░реИрд░реНрдорд╣рд╛рд▓рдХреНрд╖реНрдореАрдВ рд╕рдорд░реНрдЪрдпреЗрддреНрее23рее

Navasyah Shaktayah Pujyastada Rudra-Vinayakau |
Namo Devya Iti Stotrair Mahalakshmim Samarchayet || 23 ||

Meaning: тАФ then the nine Shaktis of the Goddess and Rudra-Vinayaka should be worshipped. Mahalakshmi should be worshipped with faith using hymns such as тАШNamo DevyaiтАЩ.

Verse 24

рдЕрд╡рддрд╛рд░рддреНрд░рдпрд╛рд░реНрдЪрд╛рдпрд╛рдВ рд╕реНрддреЛрддреНрд░рдордиреНрддреНрд░рд╛рд╕реНрддрджрд╛рд╢реНрд░рдпрд╛рдГред
рдЕрд╖реНрдЯрд╛рджрд╢рднреБрдЬрд╛ рдЪреИрд╖рд╛ рдкреВрдЬреНрдпрд╛ рдорд╣рд┐рд╖рдорд░реНрджрд┐рдиреАрее24рее

Avataratrayarchayam Stotra-Mantras Tadashrayah |
Ashtadasha-Bhuja Chaisha Pujya Mahisha-Mardini || 24 ||

Meaning: While worshipping the three incarnations of the Goddess, the hymns and mantras related to each should be used. The eighteen-armed Goddess who slew Mahishasura should be worshipped.

Verse 25

рдорд╣рд╛рд▓рдХреНрд╖реНрдореАрд░реНрдорд╣рд╛рдХрд╛рд▓реА рд╕реИрд╡ рдкреНрд░реЛрдХреНрддрд╛ рд╕рд░рд╕реНрд╡рддреАред
рдИрд╢реНрд╡рд░реА рдкреБрдгреНрдпрдкрд╛рдкрд╛рдирд╛рдВ рд╕рд░реНрд╡рд▓реЛрдХрдорд╣реЗрд╢реНрд╡рд░реАрее25рее

Mahalakshmir Mahakali Saiva Prokta Sarasvati |
Ishvari Punyapapanam Sarvaloka-Maheshvari || 25 ||

Meaning: That same Goddess is spoken of as Mahalakshmi, Mahakali and Mahasaraswati. She governs the fruits of merit and sin and is the great ruler of all the worlds.

Verse 26

рдорд╣рд┐рд╖рд╛рдиреНрддрдХрд░реА рдпреЗрди рдкреВрдЬрд┐рддрд╛ рд╕ рдЬрдЧрддреНрдкреНрд░рднреБрдГред
рдкреВрдЬрдпреЗрдЬреНрдЬрдЧрддрд╛рдВ рдзрд╛рддреНрд░реАрдВ рдЪрдгреНрдбрд┐рдХрд╛рдВ рднрдХреНрддрд╡рддреНрд╕рд▓рд╛рдореНрее26рее

Mahishantakari Yena Pujita Sa Jagatprabhuh |
Pujayej Jagatam Dhatrim Chandikam Bhakta-Vatsalam || 26 ||

Meaning: Whoever worships the Goddess who put an end to Mahishasura gains honour and power in the world. Therefore one should worship Chandika, who sustains the world and loves her devotees.

Verse 27

рдЕрд░реНрдШреНрдпрд╛рджрд┐рднрд┐рд░рд▓рдЩреНрдХрд╛рд░реИрд░реНрдЧрдиреНрдзрдкреБрд╖реНрдкреИрд╕реНрддрдерд╛рдХреНрд╖рддреИрдГред
рдзреВрдкреИрд░реНрджреАрдкреИрд╢реНрдЪ рдиреИрд╡реЗрджреНрдпреИрд░реНрдирд╛рдирд╛рднрдХреНрд╖реНрдпрд╕рдордиреНрд╡рд┐рддреИрдГрее27рее

Arghyadibhir Alankarair Gandha-Pushpais Tathakshataih |
Dhupair Dipaish Cha Naivedyair Nanabhakshya-Samanvitaih || 27 ||

Meaning: The Goddess should be worshipped with arghya (water offering), ornaments, fragrances, flowers, akshata (unbroken rice), incense, lamps and various kinds of naivedya (food offerings).

рд░реБрдзрд┐рд░рд╛рдХреНрддреЗрди рдмрд▓рд┐рдирд╛ рдорд╛рдВрд╕реЗрди рд╕реБрд░рдпрд╛ рдиреГрдкред
(рдмрд▓рд┐рдорд╛рдВрд╕рд╛рджрд┐рдкреВрдЬреЗрдпрдВ рд╡рд┐рдкреНрд░рд╡рд░реНрдЬреНрдпрд╛ рдордпреЗрд░рд┐рддрд╛рее
рддреЗрд╖рд╛рдВ рдХрд┐рд▓ рд╕реБрд░рд╛рдорд╛рдВрд╕реИрд░реНрдиреЛрдХреНрддрд╛ рдкреВрдЬрд╛ рдиреГрдк рдХреНрд╡рдЪрд┐рддреНред)

Rudhiraktena Balina Mamsena Suraya Nripa |
(Bali-Mamsadi-Pujeyam Vipravarjya Mayerita ||
Tesham Kila Sura-Mamsair Nokta Puja Nripa Kvachit |)

Meaning: O King! Here, worship with offerings (bali) involving blood, with meat and with sura (liquor) is mentioned. But the given text makes clear that such offerings of blood, meat and the like are not prescribed for Brahmins, and that for them there is no injunction to worship with liquor and meat.

Verse 28

рдкреНрд░рдгрд╛рдорд╛рдЪрдордиреАрдпреЗрди рдЪрдиреНрджрдиреЗрди рд╕реБрдЧрдиреНрдзрд┐рдирд╛рее28рее

Pranamachamaniyena Chandanena Sugandhina || 28 ||

Meaning: In the worship of the Goddess, one should also offer prostrations, water for achamana and fragrant sandalwood paste.

Verse 29

рд╕рдХрд░реНрдкреВрд░реИрд╢реНрдЪ рддрд╛рдореНрдмреВрд▓реИрд░реНрднрдХреНрддрд┐рднрд╛рд╡рд╕рдордиреНрд╡рд┐рддреИрдГред
рд╡рд╛рдорднрд╛рдЧреЗрд╜рдЧреНрд░рддреЛ рджреЗрд╡реНрдпрд╛рд╢реНрдЫрд┐рдиреНрдирд╢реАрд░реНрд╖рдВ рдорд╣рд╛рд╕реБрд░рдореНрее29рее

Sakarpuraish Cha Tambulair Bhaktibhava-Samanvitaih |
Vamabhage'grato Devyash Chhinnashirsham Mahasuram || 29 ||

Meaning: Camphor, tambula (betel) and the like should be offered with devotion. In front of the Goddess, on her left, the symbol of the severed head of that great asura should be worshipped.

Verse 30

рдкреВрдЬрдпреЗрдиреНрдорд╣рд┐рд╖рдВ рдпреЗрди рдкреНрд░рд╛рдкреНрддрдВ рд╕рд╛рдпреБрдЬреНрдпрдореАрд╢рдпрд╛ред
рджрдХреНрд╖рд┐рдгреЗ рдкреБрд░рддрдГ рд╕рд┐рдВрд╣рдВ рд╕рдордЧреНрд░рдВ рдзрд░реНрдордореАрд╢реНрд╡рд░рдореНрее30рее

Pujayen Mahisham Yena Praptam Sayujyam Ishaya |
Dakshine Puratah Simham Samagram Dharmam Ishvaram || 30 ||

Meaning: Mahishasura is worshipped in the form by which he merged into the Goddess. In front of the Goddess, on the right, the lion should be worshipped, which is the symbol of dharma and of the GoddessтАЩs power.

Verse 31

рд╡рд╛рд╣рдирдВ рдкреВрдЬрдпреЗрджреНрджреЗрд╡реНрдпрд╛ рдзреГрддрдВ рдпреЗрди рдЪрд░рд╛рдЪрд░рдореНред
рдХреБрд░реНрдпрд╛рдЪреНрдЪ рд╕реНрддрд╡рдирдВ рдзреАрдорд╛рдВрд╕реНрддрд╕реНрдпрд╛ рдПрдХрд╛рдЧреНрд░рдорд╛рдирд╕рдГрее31рее

Vahanam Pujayeddevya Dhritam Yena Characharam |
Kuryachcha Stavanam Dhimamstasya Ekagra-Manasah || 31 ||

Meaning: The lion, the GoddessтАЩs mount, through which the Goddess protects the moving and unmoving world, should be worshipped. After this, the wise practitioner should praise the Goddess with a focused mind.

Verse 32

рддрддрдГ рдХреГрддрд╛рдЮреНрдЬрд▓рд┐рд░реНрднреВрддреНрд╡рд╛ рд╕реНрддреБрд╡реАрдд рдЪрд░рд┐рддреИрд░рд┐рдореИрдГред
рдПрдХреЗрди рд╡рд╛ рдордзреНрдпрдореЗрди рдиреИрдХреЗрдиреЗрддрд░рдпреЛрд░рд┐рд╣рее32рее

Tatah Kritanjalir Bhutva Stuvita Charitair Imaih |
Ekena Va Madhyamena Naikenetarayor Iha || 32 ||

Meaning: After this, with folded hands, one should praise the Goddess with these charitras (episodes). For this, the middle charitra in particular may be recited, or all three charitras may be recited.

Verse 33

рдЪрд░рд┐рддрд╛рд░реНрдзрдВ рддреБ рди рдЬрдкреЗрдЬреНрдЬрдкрдЮреНрдЫрд┐рджреНрд░рдорд╡рд╛рдкреНрдиреБрдпрд╛рддреНред
рдкреНрд░рджрдХреНрд╖рд┐рдгрд╛рдирдорд╕реНрдХрд╛рд░рд╛рдиреН рдХреГрддреНрд╡рд╛ рдореВрд░реНрдзреНрдирд┐ рдХреГрддрд╛рдЮреНрдЬрд▓рд┐рдГрее33рее

Charitardham Tu Na Japej Japan Chhidram Avapnuyat |
Pradakshina-Namaskaran Kritva Murdhni Kritanjalih || 33 ||

Meaning: One should not recite any charitra only halfway, for then the recitation remains incomplete. After the recitation, one should circumambulate (pradakshina) the Goddess, bow to her and raise folded hands to the head.

Verse 34

рдХреНрд╖рдорд╛рдкрдпреЗрдЬреНрдЬрдЧрджреНрдзрд╛рддреНрд░реАрдВ рдореБрд╣реБрд░реНрдореБрд╣реБрд░рддрдиреНрджреНрд░рд┐рддрдГред
рдкреНрд░рддрд┐рд╢реНрд▓реЛрдХрдВ рдЪ рдЬреБрд╣реБрдпрд╛рддреНрдкрд╛рдпрд╕рдВ рддрд┐рд▓рд╕рд░реНрдкрд┐рд╖рд╛рее34рее

Kshamapayej Jagaddhatrim Muhur Muhur Atandritah |
Pratishlokam Cha Juhuyat Payasam Tilasarpisha || 34 ||

Meaning: One should ask the Mother of the world again and again for forgiveness of oneтАЩs mistakes. The practice of offering an oblation of kheer (sweet rice) and ghee mixed with sesame with each verse is also described.

Verse 35

рдЬреБрд╣реБрдпрд╛рддреНрд╕реНрддреЛрддреНрд░рдордиреНрддреНрд░реИрд░реНрд╡рд╛ рдЪрдгреНрдбрд┐рдХрд╛рдпреИ рд╢реБрднрдВ рд╣рд╡рд┐рдГред
рднреВрдпреЛ рдирд╛рдордкрджреИрд░реНрджреЗрд╡реАрдВ рдкреВрдЬрдпреЗрддреНрд╕реБрд╕рдорд╛рд╣рд┐рддрдГрее35рее

Juhuyat Stotra-Mantrair Va Chandikayai Shubham Havih |
Bhuyo Namapadair Devim Pujayet Susamahitah || 35 ||

Meaning: With the mantras of the stotra too, auspicious oblations should be offered to Goddess Chandika. After this, one should worship the Goddess with a focused mind while uttering her names.

Verse 36

рдкреНрд░рдпрддрдГ рдкреНрд░рд╛рдЮреНрдЬрд▓рд┐рдГ рдкреНрд░рд╣реНрд╡рдГ рдкреНрд░рдгрдореНрдпрд╛рд░реЛрдкреНрдп рдЪрд╛рддреНрдордирд┐ред
рд╕реБрдЪрд┐рд░рдВ рднрд╛рд╡рдпреЗрджреАрд╢рд╛рдВ рдЪрдгреНрдбрд┐рдХрд╛рдВ рддрдиреНрдордпреЛ рднрд╡реЗрддреНрее36рее

Prayatah Pranjalih Prahvah Pranamyaropya Chatmani |
Suchiram Bhavayed Isham Chandikam Tanmayo Bhavet || 36 ||

Meaning: Becoming pure, with folded hands and in humility, one should bow to the Goddess. Then, meditating on Goddess Chandika for some time, one should fix the mind on her alone.

Verse 37

рдПрд╡рдВ рдпрдГ рдкреВрдЬрдпреЗрджреНрднрдХреНрддреНрдпрд╛ рдкреНрд░рддреНрдпрд╣рдВ рдкрд░рдореЗрд╢реНрд╡рд░реАрдореНред
рднреБрдХреНрддреНрд╡рд╛ рднреЛрдЧрд╛рдиреН рдпрдерд╛рдХрд╛рдордВ рджреЗрд╡реАрд╕рд╛рдпреБрдЬреНрдпрдорд╛рдкреНрдиреБрдпрд╛рддреНрее37рее

Evam Yah Pujayed Bhaktya Pratyaham Parameshvarim |
Bhuktva Bhogan Yathakamam Devi-Sayujyam Apnuyat || 37 ||

Meaning: The person who worships the Supreme Goddess with devotion every day enjoys worldly happiness as he wishes and in the end attains the state of oneness with the Goddess.

Verse 38

рдпреЛ рди рдкреВрдЬрдпрддреЗ рдирд┐рддреНрдпрдВ рдЪрдгреНрдбрд┐рдХрд╛рдВ рднрдХреНрддрд╡рддреНрд╕рд▓рд╛рдореНред
рднрд╕реНрдореАрдХреГрддреНрдпрд╛рд╕реНрдп рдкреБрдгреНрдпрд╛рдирд┐ рдирд┐рд░реНрджрд╣реЗрддреНрдкрд░рдореЗрд╢реНрд╡рд░реАрее38рее

Yo Na Pujayate Nityam Chandikam Bhakta-Vatsalam |
Bhasmikrityasya Punyani Nirdahet Parameshvari || 38 ||

Meaning: The Supreme Goddess may destroy the merit of the person who does not regularly worship Chandika, who loves her devotees.

Verse 39

рддрд╕реНрдорд╛рддреНрдкреВрдЬрдп рднреВрдкрд╛рд▓ рд╕рд░реНрд╡рд▓реЛрдХрдорд╣реЗрд╢реНрд╡рд░реАрдореНред
рдпрдереЛрдХреНрддреЗрди рд╡рд┐рдзрд╛рдиреЗрди рдЪрдгреНрдбрд┐рдХрд╛рдВ рд╕реБрдЦрдорд╛рдкреНрд╕реНрдпрд╕рд┐рее39рее

Tasmatpujaya Bhupala Sarvaloka-Maheshvarim |
Yathoktena Vidhanena Chandikam Sukham Apsyasi || 39 ||

Meaning: Therefore, O King, worship Chandika, the great ruler of all the worlds, according to the method described. By doing so you will gain happiness and the GoddessтАЩs grace.

Conclusion

рее рдЗрддрд┐ рд╡реИрдХреГрддрд┐рдХрдВ рд░рд╣рд╕реНрдпрдВ рд╕рдореНрдкреВрд░реНрдгрдореН рее

|| Iti Vaikritikam Rahasyam Sampurnam ||

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